Saturday, December 3, 2011

Art and Nature

Art takes nature as its model. (Aristotle)
I find I'm drawn to art and nature in equal measure. Nature is where I claim my soul in stillness. Art is where I claim my shared humanity. I would not want ever to sacrifice one for the other...Gail Mangham

Monday, November 21, 2011

SEVEN Comes to Embry-Riddle Aeronautical University

Recently The Artist's Path reprised SEVEN at Embry-Riddle Aeronautical University. Student Allison Cisneros wrote a fine piece on the production and I post it here for our wonderful cast, crew, audience and the seven women whose lives are chronicled by seven women American playwrights.

SEVEN Shows Struggle, Optimism
By: Allison Cisneros, Copy Editor

“SEVEN” is an amazing work of theatre, global relationships and justice. It began when Vital Voices Global Partnership paired seven recognized, strong women with seven playwrights. Women from countries such as Russia, Guatemala and Cambodia were interviewed and their words were combined into a script. “SEVEN” has been performed across the globe and was brought to the Embry-Riddle Aeronautical University Prescott campus on Oct. 20 in the Davis Learning Center.

The Artist’s Path is a non-profit organization that asks what artists can do to stimulate change in the world. One of the ways it explores the role of the artist in society is putting on plays such as “SEVEN.” Gail Mangham is the head of the project and enjoys bringing the Artist’s Path to ERAU.

“SEVEN” tells the stories of seven women who overcame horrible obstacles to become successful and work to positively change their world. For example, Marina Pisklakova-Parker was the first person to start a domestic violence hotline in Russia, a country where 14,000 women die each year from their husbands abusing them. She overcame the death of her biggest supporter, her husband, and death threats aimed at her son. However, her domestic violence hotline has grown out of her office and is now helping many women across Russia get the help they need.

Annabella de Leon is a Congresswoman in Guatemala who has had her life threatened in a corrupt system, but has been re-elected to continue her work. De Leon grew up very poor and witnessed another women throwing dirt in her family’s food. She decided she wanted to get her family out of the poverty of society that wears people down until they are so lost that they ruin the food for another family. De Leon went to school where she was told to leave because she wasn’t rich, but she stayed. She persevered to become a trusted Congresswoman of Guatemala.

The stories share the same pattern. Each woman was living the status quo until an irreversible change made them rise to the challenge of social, positive change. These changes included watching a mother lie to her husband’s new wife, witnessing a woman dying in childbirth, gang rape, and being beaten with clubs as people laugh. It’s astounding how much horror these selected women had thrown into their lives to emerge as leaders of their community.

The women persevered because they believed they were doing the right thing. Their goals were recognized as positive such as providing health care to women in Afghanistan. They received support because their change was necessary and all the community needed was a leader.
None of the women believed they could create such a substantial change until they began to move out of the horrible events of their lives.
Rexanne Bell, who plays Inez McCormack, says “It doesn’t get easier to hear.” Reynessa Sanchez, who plays Hafsat Abiola, states “Listening to these women, it feels like no matter what, you can get up and do anything.” Maria Forte, who plays Mukhtar Mai, says it isn’t about a “happy, cookie-cutter ending.” The actresses agreed on the fact that these women survived such horrors and feeling so empowered is the most humbling aspect of all.

“SEVEN” was given a standing ovation and deserves a far larger audience than it received. “SEVEN” is an amazing story of strength, determination in the face of discrimination, and women who create positive change. It is a play of darkness and light, terrifying events and positive people.

Thursday, July 28, 2011

What is Love Contest?

Love wanders down so many paths, takes many forms.  Let's explore the universe of Love.  In an earlier blog you read an excerpt of an inter generational example of love titled The Quilter.  Now click on The End of the Affair below and read about another case of Love, love gone wrong-- 

The theme for The Artist's Path for  2012 is Love.  Below are the opening paragraphs in Wickipedia on the subject of Love.
In the comment section of this blog send your meanings, definitions, thoughts, stories of love.  Send photos too.  I'll post them on this Blog or at If you wish to submit photos, email as jpeg attachment to The Best Entry will win Dinner for Two at a Prescott, AZ restaurant subject to needed editing  and agreement to have their entry used in Path 2012.  Deadline:  November 15, 2011.

In English, the word love can refer to a variety of different feelings, states, and attitudes, ranging from generic pleasure ("I loved that meal") to intense interpersonal attraction ("I love my partner"). "Love" can also refer specifically to the passionate desire and intimacy of romantic love, to the sexual love of eros (cf. Greek words for love), to the emotional closeness of familial love, or to the platonic love that defines friendship,  to the profound oneness or devotion of religious love. This diversity of uses and meanings, combined with the complexity of the feelings involved, makes love unusually difficult to consistently define, even compared to other emotional states.

Love in its various forms acts as a major facilitator of interpersonal relationships and, owing to its central psychological importance, is one of the most common themes in the creative arts.

Helen Fisher defines what could be understood as love as an evolved state of the survival instinct, primarily used to keep human beings together against menaces and to facilitate the continuation of the species through reproduction

Let's Explore What...  

Wednesday, July 6, 2011

The Artist's Path Announces 'Path, 2012'--The Artist's Response to Love

Where do you go for inspiration to write a 5 to 15 minute monologue that somehow is connected with love?  I look lots of places, but I begin with my own life.  Here's a passage from a monologue I'm working on titled The Quilter.  This the final bit of the piece in which a grandmother is quilting with her granddaughter telling about her last conversation with the little girl's great grandmother.

Two days before she died I was on the phone with her, long distance.  She sounded good.  Not as if she'd be gone in 48 hours.   I asked her how she was doin?  And she said,  "I feel like I'm just losing myself, kinda floating.  You know I'm off of my last, great adventure." I asked her, “Margaret what’s your earliest memory?” She paused, I don’t know if she was still smoking at that point, but often when we talked on the phone, I’d hear her take a drag on her cigarette while she accessed her memory banks.  “Well”,--she always seemed to start her thoughts with a long, drawn out 'well' as if she was giving herself time to collect her thoughts. So she said, “Well, I can see myself in this drainage ditch along the road.  It’s summer; and it’s hot as hell. (she grew up  deep in the heart of Cajun country.)  Oh OK you're right.  That’s another quarter, but she said it not me. 
Then she said,  “I’m dripping with sweat.  I never did perspire. And I sure as heck didn’t glow.  There's not a cloud in the sky.  But the sky's not that crisp blue you get on a cold, dry winter’s day.  No it’s kinda milky blue. And the ditch is still damp with dew, so it must be morning.  And I’m surrounded by dandelions, a carpet of yellow all around me. My arms are out and I’m twirling in circles. Even now I can feel a smile on my face.  Don’t know where I am, but the flowers sure are pretty in the morning light.”  Those were her exact words.  For some reason they just stuck with me. She died two days later, in the morning.  I still miss her.

Now why don't you 'access your memory banks' and write a monologue for Path 2012 and send it to  Start writing.  Don't over think it.  Just go for it! 
NO FEAR!                                                            

Details at 

Wednesday, March 9, 2011

A Message from The Artist's Path, Supporting Artists Who Shape Our World

In the deep of night with the wind moaning, she hid her two sons under her burqa and brought medical care to the women of remote villages in Afghanistan.  On the grey, rain drenched streets of North Belfast she works to bring dignity and security to women who have never heard of The Declaration of Human Rights.  In far flung villages dotted among the waving rice fields of Cambodia, she  trumpets a message of democracy.  Proud daughter of a slain president and a gifted mother, she honors their memory daily in her work to bring rebirth to Nigeria.  In a country where impunity is queen, she risks her life to better the lives of others in Guatemala.  In the teeming urban canyons of Moscow, she waits by the phone, praying that she can save the next woman who calls.  In a small village in Pakistan she defies tradition, chooses life over death, opening a school that brings the promise of a better future.

Reynessa Sanchez as Hafsat Abiola, Nigeria
Maria Forte as Muhktar Mai, Pakistan
 Kate Hawkes as Marina Pisklakova-Parker, Russia
Pat Anderson as Annabella de Leio, Guatemala
  Rexanne Bell as Inez McCormack, Northern Ireland
Nancy Bonini as Farida Azizi, Afghanistan
Peggy Martinez as Mu Sochua, Cambodia

Scattered around the globe these seven women have become sisters recognizing in one another a fire that burns continuously, that impels them to strive for change against overwhelming odds.  Their seven stories, with the help of seven women American playwrights, is told in the play SEVEN.  Don't miss this moving tribute to the human spirit.  

And another woman's story. She was seven, a white child of Africa, a blithe spirit that danced, and skipped and jumped with only the joy that arises out of a life of  love and song and dance and wonder.  But under all the light was a darkness that crept in, bringing fear, brutality and finally death.   And yet in the end the ties of love that bind the child, Lizzy, and her black nanny, Salamina, prove too strong for the cruel fingers of apartheid.  

 Belinda Torrey as Lizzy in The Syringa Tree
Nelson Mandela said,  “No one is born hating another person because of the colour of his skin, or his background, or his religion.  People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite.”    His words find substance in the play---The Syringa Tree by Pamela Gein.

I hope you will attend both these plays as well as the New Play Readings and the talk by Paula Cizmar one of the playwrights of SEVEN.  Also on April 8th, following the performance of The Syringa Tree,  Terri New will perform from her moving work, Voices of the Velvet Revolution.   This is the first festival of The Artist's Path, Supporting Artists Who Shape Our World. 

Gail Mangham, Artistic  Director, Program Details at  The Artist's Path

SEVEN at   Granite Performing Arts Center   218 N. Granite St    Prescott  AZ
Saturdays April 9  and 16  at 7 PM,      Sunday, April 10,  2 PM         Adult   $12   Senior/Students $10
Tickets & Program Details  Online at    Tickets for SEVEN  or
Buy at Door or  Call Gail 928 771 2554

The Syringa Tree   Fridays  April 8 & 15, 7 PM    Sat.  April 9  2 PM
Tickets at Elks Opera House  Prescott, AZ   Box Office Tues. - Fri. 10 to 2     928 777 1367                        

The Creation of SEVEN —Prescott College  With Playwright  Paula Cizmar, Saturday, April 16,  2 PM  Free Paula Cizmar, award winning playwright from California, will explore the process of the writing of the play SEVEN presented at Prescott College in April 2011.  Ms Cizmar was one of seven playwrights who collaborated on the writing of SEVEN

New Play Readings at Prescott College
April 12, 13, 14   7 PM  Free!  Help Us Choose the Best Plays.
Play Readings and Lecture will be at , Granite Performing Arts Center
218 N. Granite St., Prescott.

Sunday, March 6, 2011

Seven: Powerful Women,Compassionate Voices

Kate Hawkes  as  Marina Pisklakova-Parker in SEVEN

In a converted rectangular warehouse, with black curtains draped across the ends, the tiled expanse between shimmering under fluorescent lights, 7 chairs were arranged in a shallow half circle centered on a tall wooden stool/podium. An old-fashioned dial-face black telephone sat atop.
Next time we met at the library, with seven chairs and the phone on the tall stool. Tonight we meet in yet another space but I know the seven chairs and the phone will be there.
Eight women, seven readers and one director, fill each of these spaces with energy, humor, dedication and color. We are bringing our diverse skills, experience and passions to a rehearsal process. For all our differences we have at least one thing in common along with our gender. We are honored to be a physical manifestation of words that have been collected into a script.
SEVEN is a powerful reader’s theatre docu-play. It was initiated in 2006 by Vital Voices Global Partnership and had been performed in many languages throughout the world. I am a reader in the upcoming April production in Prescott, AZ .
There are times in my life when I am blessed to participate in something that is profoundly personally meaningful to me as well as being something that I know will be the same to all those who participate. Inherent in its shape and form, Seven provides a both a cradle and a crucible by which we are nurtured and challenged to step into our power.
Seven remarkable women from around the world, each of whom through personal experience blended with a driving sense of service and justice, shared their stories with seven successful, skilled and passionate female playwrights. The form is something as simple as 7 women of all ages and cultural, ethnic backgrounds, moving around an almost empty stage holding black folders with pages of words.
The phone is the only prop. It was the lifeline and connector for many of the women on their journeys and the means by which they could/can reach so many others.
The outcome is a deep sharing between real, living, powerhouse women, playwrights, actresses and audiences. It is an experience that shocks, infuriates, inspires and empowers all who participate from whatever place in their lives they arrive, and however it is they are there.
I look at the seven women with whom I am playing and working (it is both) and I am in awe and joy. I don’t know each of their stories and still have their personal  names muddled with their character names, but this is what I know as a scatter of images.
We are mothers,grandmothers and grand-daughters and range in age from young woman to elder. We are impeccably dressed in tailored pantsuits and we wear short skirts and boots. We bring in scarves and jackets for each other to try for our costumes. We wear glasses, enlarge the writing in the scripts, share mints, slurp coffee and swig water.
We have husbands and sweethearts who are waiting for us at home or working overseas – each of them lending support for the show we are striving to prepare. We have family coming from as far away as Afghanistan, Puerto Rico and Australia to see the play. Our small children come and play quietly and patiently in the place where we are rehearsing.
We struggle with blocking and we look to our director for her solutions, and she asks us for ours. We slip in and out of dialects as we either learn and layer them in as accurately as possible for our character, or work to overcome a natural accented English that can undermine the words from the page that we are committed to share.
Over many years I have been involved in similar work, bringing the real experiences of people who have overcome great odds to find grace and integrity, to the live stage. I believe absolutely in the power of live theatre as a medium touching back to the days of the Shaman and ritual, to heal and build community. In the months ahead I will be bringing some of that work, Performing Wellness, to the stage again and beginning work with new writers whose stories will make it to the stage, in the hands, voices and bodies of actors.
Warmly welcomed by this group, to which I arrived after they were underway, I am encouraged, nurtured and humbled. Some of us have years of experience in theatre, others bring a rawness and innocence that I have long since lost. Together we create something that is truly exhilarating. It is not just the stories from the seven remarkable women we will be sharing, there are the personal unspoken stories within each of us who tell them. I want to collect those stories.
Just this week there has been the ruling on hate speech/free speech, regarding the rights of anti-gay protesters at the funerals of veterans. For some reason I made a connection. It takes courage and disciplined responsibility to know when/how to speak and when/how to be quiet. Sadly and shockingly, there are too many people who operate from fear and anger, without the courage it takes to see the Other as human too. We can only have true human rights if we proceed with respect, dignity and true compassion.
The women whose stories we are sharing in Seven have this in spades. Each of them, within their country and specific area of concern, work to bring women’s issues and basic human rights to their culture, community and the world. They did/do it without invading the rights of others and with empathy and compassion. They do their work with strength, courage, humor, love, determination and absolute dedication.
We will only succeed in bringing about real change when we come to it with personal integrity and compassion for all. The work we do within, nurturing and empowering ourselves through body, mind and spirit, enables us to do our best out in the world.
The work for each of us bringing the play Seven to our community, requires that we also bring our most complete and healthy selves to the stage in order to fully bring the women we read to life. We must balance ourselves in the world beyond this play. There is much we can learn from the women that we read and hear each time we get together.
As I move along my path in the immediate and years ahead, this experience with the seven women from the play Seven will inspire me. As much, and perhaps even more so, the seven women with whom I am sharing this production also nurtures and encourages. I will put my work in the world. I will endeavor to be kind, courageous, graceful and truthful.
So, thank you to the Vital Voices Global Partnership who made this play possible in the first place and continue to promote and inspire incredible work in the world. Thank you to the playwrights who brought their immense experience and passion to the project. Thank you to the seven remarkable women who gave their voices to the world in so many ways and still do
Thank you to Gail, Peggy, Pat, Reynessa, Rexanne, Nancy and Maria in whose company I get to play, create, learn and bask over the next month or so. You are all shining lights.

Kate Hawkes

SEVEN will be performed at The Granite Performing Arts Center, April 9, 10, 16.
For Details and Tickets visit,